Friday, April 1, 2011


Many meditations and kriyas of Kundalini Yoga as Taught by Yogi Bhajan® specify an exact point of focus for the eyes. Directing the gaze physically impacts the optic nerve as it travels from the eyes to the center of the brain. During meditation and other activities, different eye positions cause the optic nerve to apply variable pressures to major glands and gray matter.

When no specific eye-focus is given for a meditation or kriya, the eyes should be kept closed. Shutting the eyes during Kundalini Yoga kriyas and meditations encourages an inner focus. More than just reducing external distractions, the eye-focus is a powerful meditation technique.
In addition to these physical effects, focusing the eyes acts as a mental focus, allowing the mind to more readily reach a point of aware stillness during meditation.


At the Third Eye Point: Closed eyes are gently raised to the Brow Point, at the center of the forehead a little above the eyebrows. This part of the forehead corresponds to the Sixth Chakra.
• Stimulates the pituitary gland and sushmuna.
At the Tip of the Nose: Eyes are slightly crossed, looking along the nose to the top of its tip. Balances the idapingala, and sushmuna.
• Stimulates the pineal gland and frontal lobe of the brain; controls the mind.
At the Tip of the Chin: Closed eyes are rolled downwards to the center of the chin. This location corresponds to the Moon Center.
• Cooling and calming.
At the Top of the Head: Closed eyes roll upwards, as if looking through the very top, center of the head. This area is the Crown Chakra, the Tenth Gate.
• Stimulates the pineal gland and the Crown Chakra.
1/10th Open (9/10th Closed): Eyelids are light and relaxed, leaving a small opening between them.  Direction of eye focus may vary as indicated by Yogi Bhajan’s instructions. 
• Calms and develops intuition.
* Summarized from Yogi Bhajan, Ph.D. The Aquarian Teacher: KRI International Kundalini Yoga Teacher Training Textbook Level One Instructor. Third Edition. Kundalini Research Institute, 2005.

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